Julie Fuchs

ith Björk during the recording of "Which was the Son of" by Arvo Pärt. This experience marked a turning point in her young musical life, as she discovered a desire to explore singing. At age 18, she began private classical voice lessons and acting lessons.

In 2006, Fuchs entered the Conservatoire of Paris, considered the top conservatory in France. There, she made her first operatic role debuts as Elle in L'amour masqué by Messager and Susanna in Mozart's Le Nozze di Figaro. During her time at the conservatory, she met and developed relationships with artists that she is still working with today, such as the founder of the French contemporary classical music group, Le Balcon, and the pianist Alphonse Cémin. In 2010, she graduated with honours.

As soon as she finished her studies, Fuchs made her professional career performing Galatea at the Aix-en-Provence Festival.

In 2013, Fuchs joined the opera ensemble at the Zürich Opera where she debuted several roles, including Marzelline in Fidelio, Morgana in Alcina, Susanna in Le nozze di Figaro, and Angelica in Orlando.

In 2014, Fuchs signed a recording contract with Deutsche Grammophon; she released her first album Yes! the following year, which paid homage to French repertoire in the 1930s and 1940s.

Also in 2015, Fuchs made her debut at the Opéra national de Paris in the role of la Folie in Platée by Rameau. She also made her debut in the Rossini repertoire as the Comtesse Folleville at the Zürich Opera, and sang in the televised concert in celebration of Bastille Day in Paris, under the Eiffel Tower. At the Salzburg Festival that same year, she made her festival debut singing the soprano part in Mozart's Great Mass in C Minor.

2016 marked her debut at the Bavarian State Opera in Munich as Musetta in La bohème. she sang with the BBC Symphony Orchestra at the BBC Proms, and she made her debut at the Chorégies d'Orange, the celebrated festival in the South of France. Her year of debuts continued in Vienna, where she was praised by the press for her debut as Marie in Donizetti's La fille du régiment.

In 2017, Fuchs returned to the Opéra national de Paris, creating the role of Esther for the premiere of the opera Trompe-la-mort de Lucas Francesconi, and to sing the role of Nannetta in Verdi's Falstaff. Other highlights included Leïla in Bizet's Les Pêcheurs de perles at the Auditorium du Nouveau Siècle in Lille and at the Théâtre des Champs-Elysées. She also returned to the Aix-en-Provence Festival as Zerlina in Don Giovanni. She also made her debut at the Teatro Real in Madrid as Giunia in Lucio Silla. ...

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