Alex Lifeson

s. All three share the distinction of being among the most highly influential virtuosos in their crafts. Alex has a passion for studio production, and is the only member of Rush to compose and produce a television theme (Andromeda (2000)). But his live performances are where his spontaneous side really shows. During live performances, Alex deftly switches from rhythm guitar to soloing, while simultaneously triggering his own pre-recorded accompaniments. Being the soul of spontaneity in the band, Alex is the member of Rush who most frequently contributes comedy to the show. This side of Alex can be seen during the performances of "La Villa Strangiato" on two of Rush's concert videos, Rush in Rio (2003) and Rush: A Show of Hands (1989), and to an even greater degree on the documentary "The Boys In Brazil" (2003), part of the bonus material included with Rush in Rio (2003). Alex's prowess can be heard on a few non-Rush recordings, primarily his solo album, entitled simply "Victor" (1996), and the soundtrack album for South Park: Bigger, Longer & Uncut (1999). After their longest break from recording and touring, a highly successful 2002 tour brought Rush back to the United States, Canada, and Mexico, to the great anticipation of fans. Rush ended their 2002 tour with their first-ever shows in Brazil, where they played to 125,000 fans in three nights. The final performance of the 2002 tour was captured on DVD as Rush in Rio (2003), which was certified double-platinum within weeks of its release. Alex has fostered several younger groups, such as The Dexters, who he often guests with during their live performances at The Orbit Room, a Toronto club that Alex owns in part.